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Rembrandt Peale (February 22, 1778 – October 3, 1860) was an American artist and museum keeper. A prolific portrait painter, he was especially acclaimed for his likenesses of presidents George Washington and Thomas Jefferson. Peale's style was influenced by French Neoclassicism after a stay in Paris in his early thirties. ==Biography== Rembrandt Peale was born the third of six surviving children (11 had died) to his mother, Rachel Brewer, and father, Charles Willson Peale in Bucks County, Pennsylvania, on February 22, 1778. The father, Charles, also a notable artist, named him after the noted 17th-century Dutch painter and engraver Rembrandt Harmenszoon van Rijn. His father also taught all of his children, including Raphaelle Peale, Rubens Peale and Titian Peale, to paint scenery and portraiture, and tutored Rembrandt in the arts and sciences. Rembrandt began drawing at the age of 8. A year after his mother’s death and the remarriage of his father, Peale left the school of the arts, and completed his first self-portrait at the age of 13. The canvas displays the young artist's early mastery. The clothes, however, give the notion that Peale exaggerated what a 13-year-old would look like, and Peale's hair curls like the hair of a Renaissance angel. Later in his life, Peale "often showed this painting to young beginners, to encourage them to go from 'bad' to better..."〔Miller, Lillian B. ''Rembrandt Peale: A Life in the Arts: 1778-1860''. The Historical Society of Philadelphia, Philadelphia, 1985〕 In July 1787, Charles Willson Peale introduced his son Rembrandt to George Washington, and the young aspirant artist watched his father paint the future president. In 1795, at the age of 17, Rembrandt painted an aging Washington, making him appear far more aged than in reality. The portrait was well received, and Rembrandt had made his debut. At the age of 20, Peale married 22-year-old Eleanor May Short (1776–1836) at St. Joseph's Catholic Church in Philadelphia.〔Miller, Lillian B. ''Rembrandt Peale: A Life in the Arts: 1778-1860''. The Historical Society of Philadelphia, Philadelphia, 1985, pp. 80-81〕 During their marriage, Peale and Short had nine children: Rosalba, Eleanor, Sarah Miriam, Michael Angelo, and Emma Clara among them. In 1822, Peale moved to New York City where he embarked on an attempt to paint what he hoped would become the "standard likeness" of Washington. He studied portraits by other artists including John Trumbull, Gilbert Stuart and his own father, as well as his own 1795 picture which had never truly satisfied him. His resulting work ''Patriae Pater'', completed in 1824, depicts Washington through an oval window, and is considered by many to be second only to Gilbert Stuart's iconic Athenaeum painting of the first president. Peale subsequently attempted to capitalize on the success of what quickly became known as his "Porthole" picture. ''Patriae Pater'' (Latin for "Father of Our Country") was purchased by Congress in 1832 for $2,000. It currently hangs in the Old Senate Chamber.〔U.S. Senate Art & History, ''(A Finding Aid to the Rembrandt and Harriet Peale Collection, circa 1820-1932 )''.〕 In 1826 he helped found the National Academy of Design in New York City. Peale went on to create over 70 detailed replicas, including one of Washington in full military uniform that currently hangs in the Oval Office. Peale continued to paint other noted portraits, such as those of the third president Thomas Jefferson while he was in office (1805), and later on a portrait of Chief Justice John Marshall. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Rembrandt Peale」の詳細全文を読む スポンサード リンク
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